Skip to main content

how to make an entrance

Jeff de Boer’s latest public art sculpture, “Rainbow Trout”, was officially launched to the media June 1, 2016. However, if you’re 21 feet tall, made of glowing stainless steel, and have brightly coloured body segments that light up at night you’re more than likely to get noticed as soon as you join the neighbourhood!

Jeff de Boer introduces "Rainbow Trout" at the media launch, June 1, 2016. Enmax Park, Calgary.

Rainbow Trout is prominently sited above the banks of the lovely Elbow River at Calgary Foundation Crossing. This is the entrance to the new Enmax public park in Ramsay, Calgary, where, to quote Calgary Foundation Board Member Patti Pon, “the beauty of art, nature, and the spirit of our people intersect”. The sculpture greets park and path users, and they can wander through the bright steel pipes bursting from the sidewalk.

Nathan and Lora Armstrong inspect the finished sculpture - Nathan was part of the design team.

Jeff stressed that “I can’t build this, we can” in honouring his highly skilled Calgary team who built the project with him, and that it takes “a very special sequence of events to allow a project like this to happen” because of everything that is needed. “First you need a beautiful site” and with tongue in cheek “an enlightened jury!” to select the project. Jeff noted the Calgary Stampede Public Art Committee’s vision for the location—they encouraged him to augment his original design for a Rainbow Trout sculpture, a much older design that he had submitted as part of his portfolio—rather than build the newer idea that got him short-listed for the job. Jeff noted that most importantly it needed the project-appropriate budget to give him the opportunity to fully realize his design, because it allowed him to build the sculpture in a better way than he had ever hoped it could be.

It has been fabulous to be part of this project, documenting the building of this sculpture—back-stage in Jeff’s studio as he built the trout body, and then at the amazing—read HUGE—fabrication shop needed to build the stainless steel waves. So many talented people needed to make a Beautiful Meaningful Thing… Much more to come on that idea, and a feature length “making of” video to follow.

Meet the artist - join Jeff at the site on Saturday June 4, 2016, 1-4pm. North entrance to Stampede Park, Enmax Park, by the MacDonald Bridge on the east side of the Elbow river. Everyone welcome.



See links for news stories about Rainbow Trout:
TV interview for CBC
Radio interview with Jenny Howe for CBC
Calgary Herald story
A quick glimpse behind the scenes - building the sculpture
Posts by the Calgary Stampede Public Art Committee on their facebook page


 

Comments

Popular posts from this blog

obsessing in public

obsessive chasing desire: the process in which the metal artist yields to their need to strike one piece of metal with carefully shaped tools for a very, very , long time. I will be doing a chasing metalwork demonstration at Bluerock Gallery in Black Diamond, Alberta, on Saturday December 5, 2015. I will have loads of samples - flat chased pictures, works in progress - and a very special holly sprig that I have been working on for over 90 hours… Look forward to seeing you there. “Run”. Brass portrait study. Chasing and repoussé. 14.5 x 9 x 3 cms. Christine Pedersen. 2014. ‘ Chasing ’ is the use of tools to create lines or texture marks on the surface of metal, it can be just like drawing. But the artwork can also be made into a three dimensional form by hitting and stretching the metal surface from behind—‘ repoussé ’—to sculpt relief, or volume, into the metal surface. The Statue of Liberty is probably the most famous repousséd object in the world - it’s also an awful l

hello you...

I always keep a piece from a new body of work: I need to spend time getting to know it.  #15 “Don’t Eat The Yellow Snow: Orange and Red Slurpee” pinched porcelain vase form. Height: 8 inches. Christine Pedersen. 2015. And so #15 stayed with us, and I schemed up a delightful challenge for myself: in the name of art—and pictures for my blog—I would fill it with flowers for every opportunity I could make up for a whole year. Sweet. First up: a lovely (and very modestly priced) bouquet from the supermarket for Christmas 2015.  #15 “Don’t Eat The Yellow Snow: Orange and Red Slurpee” pinched porcelain vase form. Seasonal flowers. Christine Pedersen. 2015. I always approach a vase thinking about the overall shape, as something to contemplate in my home, because most of the time it will probably stand empty. But as I make the piece, I end up imagining flowers and how they will fill it: how the stalks reach down to the bottom and push off at an angle; how wide a base nee

narrative jewellery: tales from the toolbox book launch

For every piece of jewellery I make there is a story. It can be simple, just a note on the “why?” that led to the forms and textures, or the feeling that I want to remember. Sometimes the single idea that could become a piece, conceived way before the act of making, can become so over-whelming that I need to write a whole new reality for the jewellery to exist within. That’s how it was for “Pull”, the first piece of jewellery in a body of work that became the ReFind Collection *. It caused me to look at materials in my home, especially the things that were routinely thrown away, very differently. It was like waking up to realize I just hadn’t been paying the right kind of attention to all the “stuff” in other areas of my life; realizing that maybe jewellery could be linked to something as obscure as industrial-scale food-processing and packaging—if I allowed my mind to receive the information, differently. I am very honoured that my necklace has been included in Mark Fenn’s new