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jewellery

I am currently creating a new web-site, so the best location to see new pieces, work in progress, and learn more about how I make work is on my instagram feed
 

I make jewellery based on a few direct inspirations... Every day, the act of choosing clothes and dressing—even if I'm going in the studio!—makes me think about what jewellery I want to put on…taking a moment to notice how it works with my clothes, and the feelings that jewellery gives back. Because there’s a haptic sense, that weight on our body, noticing how a piece of jewellery works with the light, enjoying the colours and textures. The piece may contain important ideas or narrative, and memories. Or it might be the simple joy in noticing how it looks. 


I look for show calls throughout the year. As a solo artist, there is always a limit on how many things I can make and apply to, so I target themes that fit with my ethos and what I am currently musing on. There is usually a balance between all of this and commissions, because I have consistently been privileged to work on creating unique pieces in response to another person's story and life events.


Please contact me if you would like more details about any of my work, and thanks for visiting.

14kPd white gold ring with 3 
princess cut diamonds. Commission.






































The Urban Camo: Fall, Spring, Summer, Winter.
Pendant ties in anodized niobium



 
 

Sterling silver and 21.72 ct quarts. Modified Tiffany setting. Commission.
Sterling silver and 21.75 ct quartz ring. Commission.

Floribunda pendant_Christine Pedersen
Floribunda sterling silver pendant
with 14kY gold rivet detail.


 
 





































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For every piece of jewellery I make there is a story. It can be simple, just a note on the “why?” that led to the forms and textures, or the feeling that I want to remember. Sometimes the single idea that could become a piece, conceived way before the act of making, can become so over-whelming that I need to write a whole new reality for the jewellery to exist within. That’s how it was for “Pull”, the first piece of jewellery in a body of work that became the ReFind Collection *. It caused me to look at materials in my home, especially the things that were routinely thrown away, very differently. It was like waking up to realize I just hadn’t been paying the right kind of attention to all the “stuff” in other areas of my life; realizing that maybe jewellery could be linked to something as obscure as industrial-scale food-processing and packaging—if I allowed my mind to receive the information, differently. I am very honoured that my necklace has been included in Mark Fenn’s new ...

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Artists write stories about their work all the time, and the greatest joy is when that story becomes important to another person.  This project was about creating a piece of fan-art for a client (DP) based on their love of JK Rowling’s Harry Potter stories. DP approached Jeff de Boer because he needed to commission a very special golden snitch sculpture: the body would become an opening engagement ring-box. DP had a very special proposal in mind, and the snitch was to play a key part. Jeff and I do not usually make snitches. Jeff is a renowned metal artist and teacher, famous for creating armour for cats and mice , and collected world-wide. Jeff also has an ever-increasing body of large-scale public art projects (…with lots of news to come in 2016!). His web-site is a magical place, full of stories made real. I am an emerging metal and clay artist whom Jeff is mentoring - particularly in the skills of chasing and repoussé - and these skills were to be at the core of makin...

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