Artist talk on March 28, at North Mount Pleasant Art Centre, Calgary.

Excited to share I’ll be presenting an artist talk on March 28, 7pm, at North Mount Pleasant Art Centre, in Calgary.

I started clay classes there in 1996, a year after I emigrated from England to Canada—it was that education and community that helped me develop the skills to set up my home studio. I’ll be diving into my process, doing some demos, and generally obsessing about all things clay (with a bit of metal sneaking in). Thank you to the Mount Pleasant Potters' Guild for the invitation--hope to see you there!

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narrative jewellery: tales from the toolbox book launch

For every piece of jewellery I make there is a story. It can be simple, just a note on the “why?” that led to the forms and textures, or the feeling that I want to remember. Sometimes the single idea that could become a piece, conceived way before the act of making, can become so over-whelming that I need to write a whole new reality for the jewellery to exist within. That’s how it was for “Pull”, the first piece of jewellery in a body of work that became the ReFind Collection *. It caused me to look at materials in my home, especially the things that were routinely thrown away, very differently. It was like waking up to realize I just hadn’t been paying the right kind of attention to all the “stuff” in other areas of my life; realizing that maybe jewellery could be linked to something as obscure as industrial-scale food-processing and packaging—if I allowed my mind to receive the information, differently. I am very honoured that my necklace has been included in Mark Fenn’s new ...

hello you...

I always keep a piece from a new body of work: I need to spend time getting to know it. #15 “Don’t Eat The Yellow Snow: Orange and Red Slurpee” pinched porcelain vase form. Height: 8 inches. Christine Pedersen. 2015. And so #15 stayed with us, and I schemed up a delightful challenge for myself: in the name of art—and pictures for my blog—I would fill it with flowers for every opportunity I could make up for a whole year. Sweet. First up: a lovely (and very modestly priced) bouquet from the supermarket for Christmas 2015. #15 “Don’t Eat The Yellow Snow: Orange and Red Slurpee” pinched porcelain vase form. Seasonal flowers. Christine Pedersen. 2015. I always approach a vase thinking about the overall shape, as something to contemplate in my home, because most of the time it will probably stand empty. But as I make the piece, I end up imagining flowers and how they will fill it: how the stalks reach down to the bottom and push off at an angle; how wide a...

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metal is clay

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