Skip to main content

pioneer spirits

We might still ride horses to round up the cows, but running wild, feral horses are just a competitor for grass and water. 

Surveil. Chased, repousséd, and oxidized aluminium panel in alder frame. 2014.

Alberta has an estimated 880 feral horses (minimum, based on the annual count (1)), descended from animals brought in for mining and logging in the the early 1900’s, and turned loose when the operations folded. It isn’t surprising, therefore, that people are very attached to the horses as a symbol of the pioneer spirit.

Ironically, it seems that feral horses in the developed world are under threat, their need for a share of natural resources scrutinized precisely because we no longer use them to aid our own survival. 

Wild horses must constantly move to find grass and water to survive, and they inspire us because they survive. They need so little, even in such a harsh climate. We use other sources of energy to do our work now—because horses simply lack adequate horse-power. Out of fashion, they are transformed into a different kind of resource: feral horses can be captured and put to any use, or their lives ended. 

Next year’s feral foals are gestating: I am left asking just how inspired we are by our past, and what of their future? 


1. http://esrd.alberta.ca/lands-forests/land-management/feral-horses/feral-horse-faqs.aspx

Comments

Popular posts from this blog

will you...?

Artists write stories about their work all the time, and the greatest joy is when that story becomes important to another person.  This project was about creating a piece of fan-art for a client (DP) based on their love of JK Rowling’s Harry Potter stories. DP approached Jeff de Boer because he needed to commission a very special golden snitch sculpture: the body would become an opening engagement ring-box. DP had a very special proposal in mind, and the snitch was to play a key part. Jeff and I do not usually make snitches. Jeff is a renowned metal artist and teacher, famous for creating armour for cats and mice , and collected world-wide. Jeff also has an ever-increasing body of large-scale public art projects (…with lots of news to come in 2016!). His web-site is a magical place, full of stories made real. I am an emerging metal and clay artist whom Jeff is mentoring - particularly in the skills of chasing and repoussé - and these skills were to be at the core of makin...

thanks for all the fish

It already feels like ages ago but Rainbow Trout has only been up since June 1, and the “Making Of…” video is now ready to share - hope you enjoy it. I think it is fair to state that all makers will understand the challenges of the average day in the studio: we design/make/fix/modify tools all the time—and we learn to accept that is really the entry level of committing to a life of making original work—it’s all about problem solving. And the bigger the work, the bigger and more costly the problems! But that’s where a talented team really shines - I was second camera on this project and it was a privilege to watch the many highly skilled professionals who contributed to building Rainbow Trout. As Jeff notes in the video, we won’t always be able to say what we mean clearly to someone else, and there will inevitably be different solutions to the same problem… It’s how we remedy our problems, in this case with humour and grace, that really sets the tone for success. Thank you to e...

come meet the herd!

I will be riding off to Bluerock to join sculptor Kindrie Grove, painter Jennifer Mack, metal artist Simon Wroot, and equine jewellery maker Simone Schlichting to present “Meet The Herd!” at Bluerock Gallery in Black Diamond, Alberta. We will be presenting equine art and artist demos over the weekend of July 16 and 17, 2016. Full details here: http://bluerockgallery.ca/blogs/events/meet-the-herd-july-16-17-2016 I love making equine-inspired art but it is usually a fairly private obsession as I mainly create commissions in clay - I will have new clay horse pieces, and chased metal pictures available. There will also be new ceramic work for Bluerock - large porcelain platters, small vases and covered jars, some porcelain sculpture, and a few bright bowls to gladden hearts and tables. Pieces are all hand-built and finished by me at my home studio—it takes a long time to make and fire the work, and I am now starting to build an inventory of my favourite forms alongside my vases at ...