well organised dirt

Raw porcelain vases, drying. Or, as I like to think of them: well organized dirt.

I love seeing clay work at the raw stage… There’s an intensity in seeing all the forms together, and because I tend to make a variety of shapes and sizes, it feels like a crowd - like a group shot of people: they are individuals, somehow uniform, and different.

Freshly pinched porcelain vases: bases levelled, signed, and slowly drying ahead of their first trip through the kiln.
3.5 - 8.5 inches tall. Christine Pedersen. 2016.

Lining the pieces up for a picture has a habit of making one of them stand out - like seeing a group photo where you only know one of the people. I’m not entirely sure how consciously that happens, but it definitely adds to the fascination of taking the pictures, and it’s part of getting to know the characters before I have to say goodbye.

This group of vases are small and medium sized, and will hopefully be joining their friends at Bluerock Gallery in April.

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narrative jewellery: tales from the toolbox book launch

For every piece of jewellery I make there is a story. It can be simple, just a note on the “why?” that led to the forms and textures, or the feeling that I want to remember. Sometimes the single idea that could become a piece, conceived way before the act of making, can become so over-whelming that I need to write a whole new reality for the jewellery to exist within. That’s how it was for “Pull”, the first piece of jewellery in a body of work that became the ReFind Collection *. It caused me to look at materials in my home, especially the things that were routinely thrown away, very differently. It was like waking up to realize I just hadn’t been paying the right kind of attention to all the “stuff” in other areas of my life; realizing that maybe jewellery could be linked to something as obscure as industrial-scale food-processing and packaging—if I allowed my mind to receive the information, differently. I am very honoured that my necklace has been included in Mark Fenn’s new ...

will you...?

Artists write stories about their work all the time, and the greatest joy is when that story becomes important to another person. This project was about creating a piece of fan-art for a client (DP) based on their love of JK Rowling’s Harry Potter stories. DP approached Jeff de Boer because he needed to commission a very special golden snitch sculpture: the body would become an opening engagement ring-box. DP had a very special proposal in mind, and the snitch was to play a key part. Jeff and I do not usually make snitches. Jeff is a renowned metal artist and teacher, famous for creating armour for cats and mice , and collected world-wide. Jeff also has an ever-increasing body of large-scale public art projects (…with lots of news to come in 2016!). His web-site is a magical place, full of stories made real. I am an emerging metal and clay artist whom Jeff is mentoring - particularly in the skills of chasing and repoussé - and these skills were to be at the core of makin...

Artist talk on March 28, at North Mount Pleasant Art Centre, Calgary.

Excited to share I’ll be presenting an artist talk on March 28, 7pm, at North Mount Pleasant Art Centre, in Calgary. I started clay classes there in 1996, a year after I emigrated from England to Canada—it was that education and community that helped me develop the skills to set up my home studio. I’ll be diving into my process, doing some demos, and generally obsessing about all things clay (with a bit of metal sneaking in). Thank you to the Mount Pleasant Potters' Guild for the invitation--hope to see you there!

metal is clay

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