Skip to main content

new year - new ways to see: a crafty peek into making tasty “plique-a-jour” enamel jewellery

The Herring: Pre- and Post-Mortem. Champ-levé enamel
pendants in copper, fine silver, sterling silver.
I loved learning to enamel - the instant wow factor as I stepped into a world of colour - fusing glass to metal. Right now, I am working in champ-levé and cloisonné, and exploring surface effects when the enamel powders are spread directly onto flat metal. it's going to be a very colourful experience.

Enamelling appears to date back to at least the thirteenth century BCE(1), with a more modern history boasting master metalsmiths, jewellers, and designers like Fabergé, Lalique, Tiffany, and Cartier. We’re likely more familiar on a daily basis with our enamelled iron pans, kitchen tools like colanders or bread bins, the traditional enamelled cast iron tub, or ubiquitous “white goods” - so-named for the white-enamelled steel panels. There are even obsolescence - and maintenance-defying - enamel-clad “Lustron” houses built in the US for returning WWII vets(2).




“You’re a Lifesaver…” - cookie becomes wearable art (again). Cookie by Emily Evans. 
Bronze casting of plastic spout from a fruit juice container (ReFind Collection),  white evening gloves circa 1950 (courtesy of Kathleen Pedersen), 
titanium necklace.

One of my most valuable learnings from the Jewellery and Metals Program at ACAD was the now habitual root through the mental toolbox to find multiple methods for achieving the same result… It encourages me to be flexible, try to solve problems with what I have, maybe discover new ways of working. And so when Emily - a young neighbour and budding artist - showed me one of her latest craft projects at her Christmas party, I couldn’t stop smiling: here was the toughest of the tough enamel jewellery techniques - plique-a-jour, where glass enamel particles bridge and fill a space in a metal design so that light can travel through the glass - recreated in a cookie! Given my predilection for edible jewellery (see "For The Girl With Everything: A Snack"), and my lifelong obsession with Food Science (half of my under-grad), this was the best of both worlds: melted, coloured, sugar - Lifesaver candies - embracing the central hole in a cookie, creating a stained glass window, lit by the glow of the Christmas tree. Just lovely.

Thank you Emily for loaning your fabulous “Lifesaver” cookie - truly inspirational. And happy craft new year!



Lifesaver cookie by Emily Evans;
bronze casting and photography by author. 

(1) Tait, Hugh. 7000 Years of Jewelry. Richmond Hill Ont.: Firefly Books, 2008. Print.
(2) “Lustron House - Wikipedia, the Free Encyclopedia.” Web. 8 Jan. 2013.

Comments

Popular posts from this blog

will you...?

Artists write stories about their work all the time, and the greatest joy is when that story becomes important to another person.  This project was about creating a piece of fan-art for a client (DP) based on their love of JK Rowling’s Harry Potter stories. DP approached Jeff de Boer because he needed to commission a very special golden snitch sculpture: the body would become an opening engagement ring-box. DP had a very special proposal in mind, and the snitch was to play a key part. Jeff and I do not usually make snitches. Jeff is a renowned metal artist and teacher, famous for creating armour for cats and mice , and collected world-wide. Jeff also has an ever-increasing body of large-scale public art projects (…with lots of news to come in 2016!). His web-site is a magical place, full of stories made real. I am an emerging metal and clay artist whom Jeff is mentoring - particularly in the skills of chasing and repoussé - and these skills were to be at the core of makin...

thanks for all the fish

It already feels like ages ago but Rainbow Trout has only been up since June 1, and the “Making Of…” video is now ready to share - hope you enjoy it. I think it is fair to state that all makers will understand the challenges of the average day in the studio: we design/make/fix/modify tools all the time—and we learn to accept that is really the entry level of committing to a life of making original work—it’s all about problem solving. And the bigger the work, the bigger and more costly the problems! But that’s where a talented team really shines - I was second camera on this project and it was a privilege to watch the many highly skilled professionals who contributed to building Rainbow Trout. As Jeff notes in the video, we won’t always be able to say what we mean clearly to someone else, and there will inevitably be different solutions to the same problem… It’s how we remedy our problems, in this case with humour and grace, that really sets the tone for success. Thank you to e...

come meet the herd!

I will be riding off to Bluerock to join sculptor Kindrie Grove, painter Jennifer Mack, metal artist Simon Wroot, and equine jewellery maker Simone Schlichting to present “Meet The Herd!” at Bluerock Gallery in Black Diamond, Alberta. We will be presenting equine art and artist demos over the weekend of July 16 and 17, 2016. Full details here: http://bluerockgallery.ca/blogs/events/meet-the-herd-july-16-17-2016 I love making equine-inspired art but it is usually a fairly private obsession as I mainly create commissions in clay - I will have new clay horse pieces, and chased metal pictures available. There will also be new ceramic work for Bluerock - large porcelain platters, small vases and covered jars, some porcelain sculpture, and a few bright bowls to gladden hearts and tables. Pieces are all hand-built and finished by me at my home studio—it takes a long time to make and fire the work, and I am now starting to build an inventory of my favourite forms alongside my vases at ...