love at first sight

I'm sure it happens all the time to other artists, but this was my first time: I had that instant feeling of "I have to make work for this show".

So I dropped everything, and chased horses.

I had a blissful summer, working away in the basement, and the result is “In Dreams”, a 17-piece installation now on show in the Alberta Craft Council's “Well In Hand” exhibition. This is a multi-artist show in the large, downstairs Feature Gallery space, and there is a really exciting range of scales and themes in the work. Life-sized figurative sculpture, jewellery, artwork for the walls and home, and conceptually-based work: it is clear from the artist's statements that the welfare and protection of the horse in society is on everyone's mind. Very gratifying that we are all, first and foremost, horse-lovers.

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#GroundsForDiscovery - a series of unlikely events, and how science and art work together beautifully

This begins about 110 million years ago with the death of an 18-foot long armour-plated ‘lizard’, some time after it had enjoyed a large salad. Six years ago the fossilized animal re-surfaced at Alberta’s Suncor Millennium Mine, as an excavator dug down to recover the bituminous remains of prehistoric plants and animals in the tar-sands layer. The Royal Tyrrell Museum and National Geographic hail the dinosaur fossil as the finest specimen of its kind in the world—it is the best preserved, with armoured plates and even some skin tone visible. It is also the oldest dinosaur ever found in Alberta. As yet un-named nodosaur fossil. Photo: Kristi Van Kalleveen. #GroundsForDiscovery See the nodosaur fossil up close in this beautifully photographed essay from National Geographic , published in the June 2017 edition. All of the Grounds For Discovery exhibit fossils were accidentally discovered during mining and excavation work in Alberta. As the Tyrrell specimen fact sheet ...

narrative jewellery: tales from the toolbox book launch

For every piece of jewellery I make there is a story. It can be simple, just a note on the “why?” that led to the forms and textures, or the feeling that I want to remember. Sometimes the single idea that could become a piece, conceived way before the act of making, can become so over-whelming that I need to write a whole new reality for the jewellery to exist within. That’s how it was for “Pull”, the first piece of jewellery in a body of work that became the ReFind Collection *. It caused me to look at materials in my home, especially the things that were routinely thrown away, very differently. It was like waking up to realize I just hadn’t been paying the right kind of attention to all the “stuff” in other areas of my life; realizing that maybe jewellery could be linked to something as obscure as industrial-scale food-processing and packaging—if I allowed my mind to receive the information, differently. I am very honoured that my necklace has been included in Mark Fenn’s new ...

Ceramics by Christine Pedersen available at Toronto Outdoor Art Fair, exclusively online.

"Blue One". Unglazed blue porcelain vessel. Christine Pedersen. 2023. Toronto Outdoor Art Fair runs Friday July 12 - 14, 2024, and my ceramics will be available for sale exclusively online, find my profile here . I’m thrilled to have been juried into the show, and will be offering work from a few different series, with new work, and pieces from my collection that have never been shown. Only 10 pieces can be listed online at a time, so please do email me if you see other work on my instagram or Facebook feeds that you would like to know more about. Online sales will continue until March 2025. Thanks for checking out my work, and I hope you'll enjoy looking around at loads of great art at the show. Background Vortex vessel. Pinched black porcelain. Christine Pedersen. 2023. Originally from the UK, I’ve been making ceramics in my home studio in Calgary, Alberta, Canada since 1999. My main form is sculptural vessels, as functional and decorative centre-pieces for the ho...

metal is clay

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