Skip to main content

colour outside the lines, I dare you.

I grew up obsessed with painting and colouring in. And I still have the small tin of Caran d’Ache coloured pencils my gran bought me when I was about 11 - just a dozen colours, but so rich, so lovely. So precious. I purposefully kept them for “best” (which is probably why I still have them 40 years later) whilst having worn out countless hordes of cheap ones, and handfuls of drawing pencils.

“Best”?

Looking back, I think that response was a teensy bit strange… Why didn’t I just burn through and enjoy them?
No money…Worried I’d never see their like again?
Maybe I didn’t think what I drew was worthy of them?
I do remember that I couldn’t bear to wear them out.
And that I was very unhappy if I couldn’t keep paint or colour inside the lines.
Hmmm…

Go on, let go of the lines... Colour wherever you like! You know you want to. Picture and photo: Christine Pedersen. 2016.


I was recently directed to this TED article  examining the value of the colouring-in trend, and asked for comment. I set my mind to “curious” because, being a working artist and erstwhile scientist, if some people are enjoying/employed creating drawings—that's their art—and still other people enjoy colouring the pictures in—THEIR art—then what should get between them?

My researcher spidey-senses are always on alert for the hyped-up, feel-good, and phoney… But after reading the article I was thrilled to report back that—in an evidence-based nutshell—colouring-in is good for us. Well colour me tickled pink.

Fortunately a grown-up salary and a generalized art material obsession got me a massive tin of the lust-worthy Caran D’Ache. So. Many. Colours. Water-colour pencils—they draw and paint, they get sharpened often and need really tough paper (like Arches) so that I can push the wet and dry colour layers to the physical limits the paper can endure.

And there are no more lines. I realized I didn’t like being inside them any more than my younger self dis-liked going over them. Sod the lines, they just get in the way of the colour. 

Smiles to self: happy to colour outside of the lines.

I realize that first tin of coloured pencils has morphed into something else: a precious link to my nan, and I'll probably never wear them out. But I do use them occasionally, just to feel like that kid again.


1. I’ve been trying to find the range of historical costume books that I loved so much… This looks very much like the ones I used to save up my pocket money for: http://store.doverpublications.com/0486413209.html

2. What brand of pencils is “best”? I have no idea. I love my pencils, and my grown-up heart tries to walk gently with my so-eager-to-please younger self, and I'm really quite brand loyal: http://store.carandache.com/int-en/574-supracolor-soft-aquarelle-assortiment-80-couleurs.html


Comments

Popular posts from this blog

narrative jewellery: tales from the toolbox book launch

For every piece of jewellery I make there is a story. It can be simple, just a note on the “why?” that led to the forms and textures, or the feeling that I want to remember. Sometimes the single idea that could become a piece, conceived way before the act of making, can become so over-whelming that I need to write a whole new reality for the jewellery to exist within. That’s how it was for “Pull”, the first piece of jewellery in a body of work that became the ReFind Collection *. It caused me to look at materials in my home, especially the things that were routinely thrown away, very differently. It was like waking up to realize I just hadn’t been paying the right kind of attention to all the “stuff” in other areas of my life; realizing that maybe jewellery could be linked to something as obscure as industrial-scale food-processing and packaging—if I allowed my mind to receive the information, differently. I am very honoured that my necklace has been included in Mark Fenn’s new ...

#GroundsForDiscovery - a series of unlikely events, and how science and art work together beautifully

This begins about 110 million years ago with the death of an 18-foot long armour-plated ‘lizard’, some time after it had enjoyed a large salad. Six years ago the fossilized animal re-surfaced at Alberta’s Suncor Millennium Mine, as an excavator dug down to recover the bituminous remains of prehistoric plants and animals in the tar-sands layer. The Royal Tyrrell Museum and National Geographic hail the dinosaur fossil as the finest specimen of its kind in the world—it is the best preserved, with armoured plates and even some skin tone visible. It is also the oldest dinosaur ever found in Alberta. As yet un-named nodosaur fossil. Photo: Kristi Van Kalleveen. #GroundsForDiscovery See the nodosaur fossil up close in this beautifully photographed essay from National Geographic , published in the June 2017 edition. All of the Grounds For Discovery exhibit fossils were accidentally discovered during mining and excavation work in Alberta. As the Tyrrell specimen fact sheet ...

Ceramics by Christine Pedersen available at Toronto Outdoor Art Fair, exclusively online.

"Blue One". Unglazed blue porcelain vessel. Christine Pedersen. 2023. Toronto Outdoor Art Fair runs Friday July 12 - 14, 2024, and my ceramics will be available for sale exclusively online, find my profile here . I’m thrilled to have been juried into the show, and will be offering work from a few different series, with new work, and pieces from my collection that have never been shown.  Only 10 pieces can be listed online at a time, so please do email me if you see other work on my instagram or Facebook feeds that you would like to know more about.  Online sales will continue until March 2025.  Thanks for checking out my work, and I hope you'll enjoy looking around at loads of great art at the show. Background Vortex vessel. Pinched black porcelain. Christine Pedersen. 2023. Originally from the UK, I’ve been making ceramics in my home studio in Calgary, Alberta, Canada since 1999. My main form is sculptural vessels, as functional and decorative centre-pieces for the ho...