metal is clay

This is the first post about a new body of work to go on show at the Alberta Craft Council, for their "Well In Hand" exhibition. Exhibition opens October 4, 2014, in Edmonton. "Back To Earth". Oxidized aluminium panel floating in alder wood frame. Chasing and repoussé. 11" x 11" x 2". 2014. Creating work about horses feels like love: it makes me feel immediately joyful, young. I re-live the push of a soft warm nose against my hand, and I cannot help but smile. I was put on a pony not long after I figured out walking. By age 4, I would find a halter and wander down to the field to see if I could catch one - preferably the small skewbald because I could get onto him from a 5-gallon drum. All I wanted to do was be with them, and ride. At night I dreamt about riding some more. According to the town (Fowey) librarian, around age 11 I had finally borrowed every horse book—I nearly cried when she said that, surely there had to be more? People s...

At first glance, I thought this picture was of something I knew very well… I read in the article that it is a 1/4" macro of a Tom Thompson oil painting, photographed by Jon Sasaki. When this tiny fragment of the painting is blown up to become a new picture of 16 x 24 inches, it seems to look like a surface I am much more familiar with - the soft, shiny, dry, smooth, rough, cracked - etc etc - deeply nuanced surface of a glazed ceramic work. Jon Sasaki: macro photographic image of a quarter inch square of a Tom Thompson oil painting. 2013.  Close-up photography has offered a very different perspective on the oil painting surface, revealing how different media, and our different tools - brush, knife, finger - can be so different in process, or appear so alike, simply by offering a different scale of seeing, to appreciate what is there.

...the process in which the metal artist yields to their need to strike one piece of metal, with carefully shaped tools, for a very long time. Chasing is like drawing but usually in 3D—creating lines and relief to sculpt an image into a metal surface. My Obsessive Chasing Desire isn’t a problem. More likely, it’s a functional necessity since I have elected to learn to chase, to really learn to chase, to work at the level of artists that I admire from history, and in the present… Sample “Iris” study, drawn and chased on a sheet of flat 18 gauge copper,  3.25 x 3 inches, 2013. It was with some trepidation that I approached multi-media artist and mega-chaser Jeff de Boer , hoping for mentorship on this journey.

The Herring: Pre- and Post-Mortem. Champ-levé enamel pendants in copper, fine silver, sterling silver. I loved learning to enamel - the instant wow factor as I stepped into a world of colour - fusing glass to metal. Right now, I am working in champ-levé and cloisonné, and exploring surface effects when the enamel powders are spread directly onto flat metal. it's going to be a very colourful experience. Enamelling appears to date back to at least the thirteenth century BCE(1), with a more modern history boasting master metalsmiths, jewellers, and designers like Fabergé, Lalique, Tiffany, and Cartier. We’re likely more familiar on a daily basis with our enamelled iron pans, kitchen tools like colanders or bread bins, the traditional enamelled cast iron tub, or ubiquitous “white goods” - so-named for the white-enamelled steel panels. There are even obsolescence - and maintenance-defying - enamel-clad “Lustron” houses built in the US for returning WWII vets(2). “You’re ...

Convocation seems a long time ago now, my Jewellery + Metals Program class-mates alphabetically woven into the long line of bright smiling faces being ejected from under-graduate life, out into the world. I didn’t graduate with them, but a little piece of me crossed the stage in the very specific form of a grad ring commission... concrete & graffiti. Sterling silver, quartz. 2012. I delivered it on the morning of convocation, down in the basement as the grads lined up. We joked: “With this ring, I thee graduate…”. Super-tired from finishing the piece at 3am, and with just a cruel 20 minutes for pictures, it all melted away in the pleasure of watching my friend open the box, sort of squeal (yes, she did), and take out her grad gift to herself, the piece of jewellery that she had chosen to honour her achievement. concrete & graffiti. Sterling silver, quartz. 2012. Inspired by the ACAD stairwells, this ring was made from concrete-textured sterling silver, with a...

It's wonderful to be able to make what you love. Period. It just is. But apparently there are problems too—like the separation anxiety I'm having as I send new pieces off to an exhibition or show, I'm finding it really hard to let go. Chalice Series vessels, left to right: "Ich Dien (I Serve)", "Chalice #3", "Chalice #2 (Just Another Vessel". Handbuilt Southern Ice porcelain, underglaze, translucent glaze with encapsulated stains, ash glaze. Fired to cone 10 in oxidation. 2012. Three of the new "Chalice Series" vessels I fired and glazed over New Year are now moving out into two summer shows: "Chalice #2, Just Another Vessel" will be part of the Alberta Craft Council summer exhibition "Shift. A Transformative State Of Mind" which opens July 14 in Edmonton; "Chalice #3" and "Ich Dien (I Serve)" will be available in Calgary at the Ruberto-Ostberg Gallery Show "Connections", o...

There's a fairly long line-up of stuff that gets me hot under the collar… This is also the title of a sure to be excellent upcoming show featuring contemporary necklaces that I, sadly, won't be in. So I decided to have a solo show and post a picture of my current favourite new necklace: "For The Girl Who Has Everything: A Snack". "For The Girl Who Has Everything: A Snack". Sterling silver, stainless steel, gluten free cookie, brass, cubic zirconia. Constructed. 2012. There is at least one reason I won't be in the show: I didn't enter. And there's a reason I didn't enter… That would be the $30 fee to have my entries reviewed for potential inclusion. Simply put, I have hemorrhaged far too much cash recently entering shows—the same amount would have bought me a considerable amount of raw metal and gemstones, a run of business and post-cards, or even the best part of the airfare to go see the show! It's not that I'm against ...